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Franz Xaver Winterhalter Queen Victoria and Prince Albert with the Family of King Louis Philippe at the Chateau D'Eu 1845
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Franz Xaver Winterhalter William Douglas Hamilton, 12th Duke of Hamilton Hamilton 1863
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Franz Xaver Winterhalter Zofia Potocka, Countess Zamoyska 1870
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Franz Xaver Winterhalter Wienczyslawa Barczewska, Madame de Jurjewicz 1860
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Franz Xaver Winterhalter , Harriet Howard, Duchess of Sutherland
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Franz Xaver Winterhalter La Siesta 1841
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Franz Xaver Winterhalter Self Portrait of the Artist with his Brother, Hermann 1840
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Franz Xaver Winterhalter Menzelschwand (san41) Portrait of Mme.Rimsky-Korsakov
1864
3'10"x2' 11 1/2"(117x90cm)
Gift of her son,Mr.Rimsky-Korsakov.
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Franz Xaver Winterhalter The Family of Queen Victoria (mk25) 1846
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Franz Xaver Winterhalter The First of Mays (mk25) 1851
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Franz Xaver Winterhalter Queen Victoria (mk25) 1843
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Franz Xaver Winterhalter Albert Edward Prince of Wales (mk25 1846
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Franz Xaver Winterhalter Queen Victoria (mk25) 1859
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Franz Xaver Winterhalter Prince Albert (mk25 1859
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Franz Xaver Winterhalter S.P.Naryshkina mk65
1858
Oil on canvas
59x45"
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Franz Xaver Winterhalter The First of May 1851 1851
Oil on canvas,
107 x 130 cm
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Franz Xaver Winterhalter the duchesse d' aumale 1846
versailles, museum
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Franz Xaver Winterhalter Florinda Medium Oil on canvas
Dimensions 178.4 x 245.7 cm
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Franz Xaver Winterhalter Portrait of Leonilla, Princess of Sayn-Wittgenstein-Sayn 1843
Oil on canvas
56 X 83 1/2 in
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Franz Xaver Winterhalter Princess of Sayn-Wittgenstein Date 1843
Medium Oil on canvas
Dimensions 56 X 83 1/2 in
cyf
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Franz Xaver Winterhalter
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German 1805-1873
Franz Xaver Winterhalter Galleries
German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.
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